When Taylor Swift’s releases her new album, “Life of a Showgirl,” in October, it can be heard on the usual places, including streaming, vinyl and…cassette tape?
The cassette tape was once one of the most common ways to listen to music, overtaking vinyl in the 1980s before being surpassed by CDs. But the physical audio format has become an artifact of a bygone era, giving way to the convenience of streaming.
Or, that’s what many thought.
In 2023, 436,400 cassettes were sold in the United States, according to the most recent data available from Luminate, an entertainment data firm. Although that’s a far cry from the 440 million cassettes sold in the 1980s, it’s a sharp increase from the 80,720 cassettes sold in 2015 and a notable revival for a format that had been all but written off.
Cassettes might not be experiencing the resurgence of vinyls or even CDs, but they are making a bit of a comeback, spurred by fans wanting an intimate experience with music and nostalgia, said Charlie Kaplan, owner of online store Tapehead City.
“People just like having something you can hold and keep, especially now when everything’s just a rented file on your phone,” Kaplan told CNN.
“Tapes provide a different type of listening experience — not perfect, but that’s part of it. Flip it over, look at the art and listen all the way through. You connect with the music with more of your senses,” he said.
Older dude here:
There is no advantage to listening to something on a cassette, except for the vintage brownie points.
I did the analog to digital transition, and miss nothing. There was an intermediate time, when mp3s came along, and people were lowering bitrates to absurd levels, but digital is simply better.
All the people talking wonders about the “warmth”, “tone”, and other supposedly desirable qualities are very mistaken. What they are fawning over is noise, feedback, muddiness, lack of range, lack of definition, and so on. Vinyl records are shit. They make sound by literally scratching something.
The only advantage of tape was, at the time, it’s smaller size and portability, but sound was worse than records. I still have the last deck I owned, a marvel of technology of the time, a double auto-reverse TEAC deck with Dolby and Dbx noise reduction, auto azimuth, programmable, etc, which is objectively shit compared to a decent mp3 player, provided that the music is encoded in lossless, or large enough bitrate.
CDs were a massive improvement, and the pinnacle were DDD CDs, which were Digital recording, Digital mixing, and Digital mastering, meaning very little analog garbage was introduced in the process.
The objective for audio equipment is to be transparent, to not add or detract anything from the original performance.
You’ve completely missed the point.
You grew up in a world where the quirks of analog formats were nothing but technical limitations to be overcome. It is true that a FLAC is literally superior in every way to a Vinyl if your value function only takes in cost, quality, and convenience.
HOWEVER Gen Z grew up in a world where music was always cheap and convenient to access. We also (mostly) grew up in a world of touchscreens and always-online gadgets and doodads. My generation’s first portable music player was often the iPod touch. You know what all of that does to a person? It creates a deep craving for tactile feedback. For technology that doesn’t nag with software updates, for music that can’t be “unlicensed” and pulled from your library remotely, for a music player that you can touch and feel and interact with in a more meaningful way than tapping on the little square of glass that already runs our lives. For the little rituals that have been stripped away, like flipping a vinyl at the midway point or rewinding a tape.
The entire point of analog is that it’s “worse”. It’s un-clinical, it’s raw, it’s tactile, it’s physical. Listening to my favorite albums on vinyl is such a better experience than through the disembodied shuffle of my phone. I don’t crave maximum audio fidelity or convenience because I always could have those things literally whenever I want.
the point is feeling like it’s superior when it objective isn’t as some sort of form of teenage rebellion or something.
not any different in the 90s when everything was CDs and that the few ‘cool’ kids were still using records as a FU to ‘the man’. and wearing 70s clothing styles.
It’s all about making yourself feel special.
Well you hardly have a leg to stand on about “feeling superior” when you’re out here being smug about criticizing harmless tastes.
I don’t see how listening to vinyls in the privacy of my own home is considered performative, but if that’s the only reasoning you’re willing to entertain… Well go right ahead, I thought I made a good case for it but I guess I was wrong and I am buying vinyls for the clout.
I’m not criticizing anything. The fact you feel criticized by my comment… maybe you are doing it performatively… if only for yourself?
And not being read-only.
Also, you could spool them with a pencil.
Shit! I forgot about the life -changing Need to spool with a Pencil
Your view is totally fine, but I guess you’re not understanding why people do this. I’m a millennial, around 30. Personally I buy CDs, I buy vinyl, and I even have some stuff on tape. I’ve also recently picked up film photography and among my friends it’s common nowadays to bring some 2000-2010 digicams.
So why? flac is perfect, and streaming services stream whatever high-quality music you’d ever want to play. Film is expensive, and digicams are often way more shit than whatever a modern smartphone that’s already in your pocket can do.
Personally I’ve become bored by perfection, overwhelmed by choice, and frustrated with the lack of owning anything. When I play a physical album I sit down for it, I am focused on the music. I cannot easily choose the music, I’ll just have to accept the order of the album. There are way fewer choices to overwhelm me. Likewise, with film photography, it feels simpler in a way. You shoot a few images in a go, because film isn’t cheap, and you’ll only get to see them weeks later when the roll is developed. No pressure of the perfect shot, no insane resolution to show any imperfection. And mistakes just happen, because you cannot see what you’re doing, so you just have to accept them. Digitally you can just take 20 pictures and take the best one.
So back to music. Why would one prefer vinyl or tape over CD? As a life-long CD collector, I wondered the same thing a few years ago. But when artists that I enjoy started skipping CD releases in favor of vinyl I hopped in, invested in a shit vinyl player, and didn’t really get it. Sure it had a character, but it wasn’t great in any way. After some more research I found out that it was probably just the vinyl player (please don’t get some cheap shit for a 100 bucks with a red unbranded needle). I invested in an Audiotechnica LP70XBT, and oh boy did stuff improve. I finally get it. The sound is gorgeous, though not necessarily better or worse than CD imo. It’s a bit warmer, with detailed bass but less clinical high end. And I love the whole tactile experience of it. Older vinyl definitely sounds worse than modern CD quality though.
I think it’s the whole experience that people enjoy. Putting the vinyl or cassette in the player, having something move and, as if it were magic, suddenly there’s music. With a slightly different character that differentiates it from the clean and clinical sound of high quality digital audio. Modern digital audio is great and definitely has its place, but at times it can feel sterile, too perfect. The crackles and warmth of vinyl, the grain and slightly off colours of photographic film, they feel like they have more personality. They stem from a time where the imperfections of the medium still kinda hid the imperfections of the artist.
(Okay this turned into quite a ramble but I hope there’s something useful in there :3 )
With CDs they were negatively impacted by the loudness war as it became much more widespread. Having to hunt around for the right recording, often the earlier ones, can be expensive. Normalisation of the recordings by streaming companies is just an awful idea as it doesn’t fix the bad parts of the mix just turns everything down.
I prefer SACDs to CDs, mostly because they tended to be mastered and mixed better than the CDs of the past two decades. The surround audio mixes are mostly just gimmicky, although they are a good fit for some records, but they almost always had a two channel mix that you could pick instead. The higher frequency range is mostly pointless.
I agree. The loudness is not what I dislike the least. Most 1st gen CDs were the work of love of sound engineers and producers, given near miraculous equipment, to produce records with unheard of quality. I own several. Dire straits Brothers in arms is one of these, a truly brilliant recording (The album itself is brilliant) The sound quality is truly astounding.
The whole thing took a downturn when they started compressing the recordings to fit FM frequencies. Why they didn’t do the compression at the FM station, and leave the uncompressed stream for us, is always been a mystery to me.
As for the range, it is generally pointless. Most people, even when young, can’t hear above 20 Khz.
I moved to all-digital music-making and -listening in the 90s, and agree that a lot of the “analog” benefits are imagined or the result of misunderstandings how technology works.
But I think you’re missing the point. Don’t forget that noise, feedback, muddiness, lack of range, lack of definition are all legitimate effects often intentionally applied to make music sound a certain way.
A cassette is objectively lower quality by sampling rate, reproducibility, etc, but you agree that it affects the sound. At that point, I think you have to admit that a contrary personal preference for cassette or vinyl is valid. It’s not objectively “worse” because many people actually and validly find those “bugs” to be “features.”
It’s fine to like the digital revolution, but I’m just identifying you’re making a value judgement, and others can rightly value differently.
Very little analog garbage… Except for literally every instrument tracked in, including distortion pedals. :)
That is by design. Unwanted noise is shit. A large part of the electronic pathways were noise and other unwanted signals removers
I know, I was being cheeky :) Cheers!